While clearing a bookshelf today, I may have found my fake
voice. Ha. Nothing like a confusing statement to start a blog post, huh?
I may have found this fake voice in a tiny little booklet called Mind Sound Resonance Technique.
Simply put, the technique in the book, I had picked in India, is a kind of sound meditation. The idea is to chant certain sounds and feel vibrations of the chants all over the body. I decide to give it a try.
Hmm… could it be that perhaps some people are not meant to be spiritually enlightened yogis?
I decide to give up my quest – spiritual enlightenment can wait, I decide. That piece of chocolate, on the other hand, and my list of chores will not wait forever.
I realize I like the stronger voice better. Besides, that is my voice too. Yet, for whatever reason, it feels imposed and superficial. The softer, shakier pitch rings true. Seems right.
I may have found this fake voice in a tiny little booklet called Mind Sound Resonance Technique.
Simply put, the technique in the book, I had picked in India, is a kind of sound meditation. The idea is to chant certain sounds and feel vibrations of the chants all over the body. I decide to give it a try.
In a deep serious voice, I begin the series of chants – Aa… Uu…
Mm… AaUuMm. Om…
I feel no vibrations. I remember trying it before. I
remember not noticing vibrations. Total hogwash, I decide.Hmm… could it be that perhaps some people are not meant to be spiritually enlightened yogis?
I decide to give up my quest – spiritual enlightenment can wait, I decide. That piece of chocolate, on the other hand, and my list of chores will not wait forever.
Spiritual seeker or not, my curiosity is piqued. I go back
to the book and sit down and close my eyes. Once again, in a deep, strong tone,
I make the first sound. I study myself – so intent and serious. I wonder if I
am trying too hard. I try a different pitch.
This one isn’t as strong or important sounding as the
previous. It seems more feeble, softer, gentler, less assertive or emphatic. It
also feels more real. Somewhat disappointed, I continue. I realize I like the stronger voice better. Besides, that is my voice too. Yet, for whatever reason, it feels imposed and superficial. The softer, shakier pitch rings true. Seems right.
Even if both voices belong to the same person, the stronger
one has more appeal. That would be who I would want to be, that would be how I
would want to project myself – strong, confident, not-quivering. Why then does
it feel more exhausting, less authentic?
In choosing the ‘better’, the ‘right’, the ‘sensible’, the ‘practical’,
the ‘appealing’, the ‘acceptable’, the ‘approvable’, do we lost our authentic
voice?
We’ve all done that. Smiled too wide, spoken in a pitch too
high, smiled when we would rather glare, found our sweetest tone, when all we
want to do it scream. Those are all our voices too. And to some extent, some of
that may not be going away in the name of diplomacy. I can’t even begin to tell
you how hard this is for the undiplomatic few. Sigh…
I wonder how we can remain true to our own voice. Our true
authentic voice. How much of our life do we spend making sounds other than our
own? How much of our life do we give up to these sounds? Do we snuff it out, no
longer listen to it; does it seem less acceptable, too erratic, less predictable?
I think of some shelved writing projects. Since last summer,
I have not gone near any of them. A few short stories and a children’s book (that
may never see the light of day).
Now writing can be a scary affair. It brings out
authenticity and truth. I stopped writing for months last summer – fearful of
what I would write, fearful that I would write only sad stuff. Perhaps I do.
In almost a year, I have not gone anywhere near the shelved writing
projects, dreading that I will turn them into weepy tearful sagas. Yet the
thought of sugar coating, or continuing in the vein I was writing them, seems phony
and insincere. Why on worth would I want to do that? So I simply stay away.
We all know there is beauty in authenticity. Whether the
voice is sad, or cheerful, or funny, or strong, or vulnerable – it will be
beautiful when it is genuine. It will make sense, it will feel right when it is
the real sound.
In the society we have created and in which we live, can we
live only with only our authentic voices? How many times do I tell my kid, “don’t
glare”? In “keeping face”, doing what we perceive is “better” and more “correct”,
do we lose our authentic voice? Simply because it sometimes doesn’t sound as
strong, or pretty or happy or virtuous, as the other ones we are capable of
making?
Do we need to give ourselves permission to be who we truly
are? Do we need to give ourselves permission to listen and to acknowledge our authentic
voice?
Can we recognize the sound of our real voice?
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